In my testing, as shown below, it took this old 12MP image from 4256×2832 pixels to 8512×5664 pixels. ACR starts working in the background immediately to build the new image file and it eventually appears right next to the original file you selected wherever that one is stored.
Once you are ready simply click the Enhance button in the lower right-hand corner. The dialog will give you an estimate on how long it will take to create the new Enhanced image, which will show up as a separate image file. Backed by this vast training set, Super Resolution can intelligently enlarge photos while maintaining clean edges and preserving important details.Ī dialog window will come up so you can see how the image will look and you can also toggle back and forth between the original image and the new Enhanced version. “Enlarging a photo often produces blurry details, but Super Resolution has an ace up its sleeve: an advanced machine learning model trained on millions of photos. The term ‘Super Resolution’ refers to the process of improving the quality of a photo by boosting its apparent resolution,” Chan explains. Super Resolution builds on a technology Adobe launched two years ago called Enhance Details, which uses machine learning to interpolate RAW files with a high degree of fidelity, which resulted in images with crisp details and fewer artifacts. The PetaPixel article on this new feature quoted Eric Chan from Adobe: The new Super Resolution feature in ACR essentially upsizes the image by a factor of four using machine learning, i.e. 2.I have seen a bit of reporting out there on this topic from the likes of PetaPixel and Fstoppers, but other than that the ramifications of this new feature in ACR have not been widely promoted from what I can see. I will often come back to a file after a few days to find that I want to reduce the highlights and whites before I get started properly. This works great if you want to make quick adjustments to things like the overall exposure, contrast or vibrancy in an image. Once there, you can make any adjustments you might want and click Okay. A quick and easy solution is to stamp the layers to a new layer and run the Camera Raw Filter. Of course, you could always go back into Lightroom and start again, but what happens if you have already started making adjustments to your image?Ĭhances are, you don’t want to lose those. However, if you leave it for a day or two before you come to it, you might find that you no longer like the decisions you made. This is fine when you process your raw file and move it into Photoshop immediately. If you’re like me, you mostly make decisions about adjustments on the spot. To not lose the healing work, I used the Photoshop Camera Raw Filter to make a quick adjustment. Once in Photoshop, and after a bit of healing work, I decided that I wanted to make the image a touch cooler and reduce the vibrancy as well.
Final tweaks before finishing your image.Make quick, extreme adjustments for certain parts of your image.Make certain adjustments easier than in Photoshop.But here are a few potential uses that I find myself using often. With all of the power of ACR behind the Photoshop Camera Raw filter, there is no way to make anything resembling a complete list of what you could do with it. However, it illustrates the importance of getting things as close to right as possible while in the raw stage of post-processing. This means you will have less information to work with, such as, dynamic range.
Instead, the process will be more akin to working on a JPG file in Lightroom or ACR. It’s also important to realize that because you are not working with a raw file at this stage, you won’t have the same versatility that you would with a raw file in ACR. In the various menus of the Photoshop Camera Raw Filter, you will find there are a few options missing that you would see in ACR.
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